We don't sort artists into established and emerging. We ask a simpler question — is this the work that matters now? The craft, the conviction, and the story worth telling.
The printed issue is where a voice is first set down — the craft recorded as carefully as the work itself. Print gives the story its weight; it is the source of everything that follows.
Not a competition and not a prize. We go looking for an artist whose voice is unmistakably their own — and then we do the thing we do best. We tell the story, at length and on its own terms.
Where the magazine and the award keep growing. A living record that returns to each artist over the years — until the pages become a history of who Artiverse saw first.
Print → Archive online → Digital edition
The issue makes the authority. The archive keeps it alive.
That it be true. That it be well made. And that it matter to someone beyond the room it came from.
A ceramicist refining a single form for a decade. An architect rethinking how we live. A painter the market hasn't caught up to yet. What they share is not a career stage — it is craft, conviction, and a story worth telling.
This is an era when the lines are dissolving: between disciplines, between art and technology, between where a voice comes from and where it's heard. Artiverse follows the work across those lines — and records the making, not just the made.
There is no ranking. No first place. No entry fee. We don't wait for artists to apply — we come to them.
The Artiverse Award is not a trophy and not a competition. What we look for is singularity — the sense that no one else could have made this, or said it quite like this.
The recognition is not an object on a shelf. It is the story itself, kept and returned to, until it becomes something rarer than a prize: a record.
A full feature in print — the making rendered as carefully as the made. The moment a voice is first set into the record.
A recorded conversation in our studio — the artist in their own words, their own voice, kept as a lasting document.
We return to the work as it grows. One feature becomes a years-long record of an artist the world is still catching up to.
The Artiverse Award is decided by a small jury of curators, critics, and cultural figures whose judgement we trust. The inaugural jury will be announced ahead of Volume One.
For more than twenty-six years, Mom&I has been the largest Korean-American magazine on the East Coast of the United States — a publication that earned its readers' trust one issue at a time, and built real relationships with the museums, galleries, and universities around it.
Art was a section at first. A fair reported here, an artist interviewed there, month after month. The section kept growing because the work kept demanding it.
Eventually it needed a name of its own. In September 2026, it gets one.
A trusted voice for the Korean-American community on the East Coast.
Monthly exhibition coverage, artist interviews, and dispatches from the world's major fairs.
An independent magazine, carrying the legacy forward onto a global stage.
A publisher, community advocate, and entrepreneur with more than 26 years leading media in the Korean-American community on the East Coast — with experience spanning News Corp and Fox News, and years as a publisher in New Jersey.
She is the founder of Mom&I and of FLAG Art Group in Fort Lee, and has built lasting alliances with state and city agencies, cultural institutions, and community organizations. Storytelling, for her, is the tool that connects industries and people — the thesis Artiverse is built on.
A curator and art historian from Tbilisi, Georgia, Nino has curated more than sixty exhibitions across North America, Europe, and Asia, and has presented at international fairs including Contemporary Istanbul, Art Dubai, and Kyiv Art Week.
She has worked with Project ArtBeat and Sotheby's, and holds an MA in Art History and Theory with a focus on contemporary art and new media. She and Sylvia have built art and culture programming together in Fort Lee since FLAG Art Group.
Artiverse is anchored by a fully equipped video and podcasting studio in Fort Lee — the room where the award conversations are filmed and the voices behind the work are kept.
It is what lets the Award be more than a page: an artist can be invited in, interviewed, filmed, and released across the same channels that have already produced hundreds of cultural conversations.
For years, the Art & Culture pages of Mom&I have carried exhibition reviews, fair dispatches, and conversations with artists. Artiverse is what that practice became.
Selected pages and moments from the Art & Culture practice — 1999 to today.
We are commissioning interviews, features, essays, and studio conversations for Volume One and beyond. We are looking for voices that are unmistakably their own — and for writers who can render craft as carefully as the work deserves.
Artiverse partners with a small number of brands, galleries, and institutions whose values meet our own. This is not ad space by the page — it is a considered association with a publication built on craft, trust, and cultural authority.
Artiverse reaches the people who decide what matters — collectors and curators, cultural leaders and founders, the artists shaping the moment and the audiences who follow them across borders.
26 years of trust. Built on the legacy of Mom&I — a publication that earned real relationships with museums, galleries, universities, and the Korean-American community across the East Coast.
Where influence gathers. A studio in Fort Lee that has hosted politicians, community leaders, and cultural figures — and editorial ties reaching from New Jersey and New York to Seoul.
Print, archive, and the fairs. A physical issue collectors keep, a digital archive open to the world, and firsthand presence at Frieze and Art Basel Miami Beach.
A note on figures. As an independent publication launching Volume One in September 2026, circulation figures will be confirmed with our first print run. Partnership conversations begin now, with founding partners recognised across the inaugural issue.
Be among the first to receive Volume One — and to follow the artists we're choosing to keep on the record. For subscriptions, partnerships, and press.